But, it’s also great when you are stuck for inspiration elsewhere a granulator could throw up something you’d never have created otherwise. It can be a fantastic tool if you are working on something textural and want to experiment. It’s more experimental than most types of synthesis, and in that sense, it’s much more fluid and organic. The random aspect of granular synthesis is its beauty. Each LFO provides Frequency and Shape controls.īeyond the LFOs, you get a couple of Randomizers with Frequency and Probability controls. Just under the waveform display, you’ll find some Input and Output controls, where you can adjust the Buffer Size and Max Grain Count, etc.Įmergence offers ample modulation options, too, with up to four multi-wave LFOs. You can also freeze the buffer contents.Įach stream is color-coded, and a waveform display provides clear visual feedback.
How you set those parameters will control the generation of the grains.Įmergence offers grain pitch transposition of +/- 24 semitones. The plugin has four streams with individual control over Increment, Time, Pitch, Reverse, Length, Balance, Pan, and Volume. The content is then played back as grains, handling up to 600 grains. If you like to create rich ambient soundscapes and textures that can be ethereal, gritty, glitchy, and just about anything else, granular synthesis could be for you.Įmergence works by continuously recording your input signal into a buffer.
Quite often, just by randomizing or modulating the playback of the grains, you get something unique and unexpected. You can then modulate various parameters like the length or pitch of the grains. Instead of morphing between multiple waveforms, granular synthesis breaks a sample down into many pieces (grains).
When we talk about sample-based synthesis, wavetable pops up more often than granular. The world of granular synthesis is kind of muddy waters to a certain degree. Daniel Gergely releases Emergence v0.3, a FREE granular processor for macOS and Windows.
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